Sandro Botticelli: The Renaissance Artist Essay -- essays research pa

Sandro Botticelli, born A littleandro Mariano Filipepi, was the son of a tanner. He was born in Florence roughly 1445 and showed a talent for irritationting at a very ahead of time age. Botticelli was first apprenticed under a goldsmith named Sandro, from whom it is believed he derived his nickname. At the age of sixteen, he served an apprenticeship with the painter Fra Filippo Lippi (Durant, 1953). From Lippi he learned to create the substance of transp atomic number 18ncy, to draw outlines, and to give his pictures fluidity and harmony. He also worked with painter and engraver Antonio del Pollaiuolo, from whom he gained his sense of line.By 1470, Botticelli had his own whole shebanghop and had developed a exceedingly personal style characterized by elegant execution, a sense of melancholy, and a strong emphasis on line. Botticelli spent most of his life functional for the great families of Florence, including the Medici family. Botticellis name appears regularly in the acco unt books of members of the Medici family, for whom he painted banners, portraits, and altarpieces along with paintings of allegorical or mythological subject matter. Likenesses of the Medici family are found in various paintings including Judith, Madonna of the Magnificat, and Adoration of the Magi.Apart from his works for members of the Medici family, Botticelli received many commissions from other prominent members of the Florentine society, including the Vespucci family. Botticelli first do a name for himself by his paintings of the Virgin and Child, and was given a humankind commission to paint Fortitude which was to be hung in the Trade natural law court. In about 1481, Botticelli, along with Ghirlandaio, Perugino, and Cosimo Rosselli, was called to Rome by Pope Sixtus IV to decorate the walls of the Sistine Chapel with scenes from the Old and in the buff Testaments. Botticelli controlled the scheme and executed terzetto of the frescoes. The large scale of these works and the attempt to include several stages of yarn in one composition were not fully mastered and await confused and disorganized (Gowing, 1983).In his paintings, Botticelli retained rich objects and paid enough attention to the human body to create a sense of realism, nevertheless it is evident that he was more concerned with the spiritual presence of his subjects (Magill, 1989). Because of this, his subjects were less individualized in terms of their clothing or bodily st... ...rty. Sandro Botticelli died in 1510 after painting Scenes from the Life of the Virgin, The Last Actions of St. Zanobi, and Mystic Nativity a few years earlier. . ReferencesBeckett, W. (2000, March). A meaningful life. U.S. Catholic, Vol. 65 pop 3, 51.Bull, G. (1968). The Renaissance. New York The John Day Company.Durant, W. (1953). The Renaissance A history of civilization in Italy from 1304-1576 A.D. New York Simon and Schuster.Gowing, L. (1983). A biographical dictionary of artists. New York Facts on Fil e, Inc.Magill, F. N. (1989). not bad(p) lives from history Renaissance to 1900 series. (Vol. 1). Pasadena, California Salem Press.Milani, J. (1996, March 7). Botticelli to Tiepolo. The Tampa Tribune, pp. 1.Moffat, A. (1999, December 6). A picture doesnt tell the whole story. New Statesman, Vol. 128 Issue 4464, 53.Stapleford, R. (1994, March). thinker and intuition in Botticellis Saint Augustine. Art Bulletin, Vol. 76 Issue 1, 69.Harden, M. and Gerten-Jackson, C. Botticelli, Sandro 12 paragraphs. Retrieved March 08, 2001 from World Wide Web <a href="http//www.ibiblio.org/wm/pain/auth/bottice">http//www.ibiblio.org/wm/pain/auth/bottice